
Hello, I'm Flora
Hang (Flora) Tran
A curious mind drawn to people, places, and the small choices that shape how we live - with a quiet love for nature, teaching, and writing.


About
Researcher at the intersection of nature, human & technology.
I am a PhD Candidate in Marketing at the University of Leicester Business School, where I also teach as a Graduate Teaching Assistant and hold an Associate Fellowship of the Higher Education Academy. This is my second PhD; the first, in International Business and Trade, was completed at Keimyung University in South Korea.
My current research examines how immersive technologies (VR and AR) can support conservation and sustainable tourism. Working with national parks and NGOs in Vietnam, I study whether a virtual wildlife experience before a visit shifts how people feel about wildlife and how they behave towards it. My broader work covers digital communication and consumer behaviour.
Beyond the classroom and the fieldwork, I try to bring conservation into public life. In Leicester, I organise events that bring together professionals, University teams, and people outside academia to talk about biodiversity. Earlier, in South Korea, I coordinated a community exchange project in Incheon and completed an NGO internship with Citi Bank and Kyunghee University, helping run exhibitions at the Heeum Museum of Japanese Military Sexual Slavery (희움일본군'위안부'역사관) in Daegu.
I grew up in Ho Chi Minh City and have lived and worked across Vietnam, South Korea, and the UK. I speak Vietnamese, English, Korean, and Chinese — and the questions that interest me most tend to come from moving between those worlds.
School of Business
University of Leicester
Heron Building
Room 1.01, Brookfield

A fire flower grows
where art meets the wild.

The Name
Fireflore comes from two words:
A fire flower — something rooted in the earth but luminous enough to be seen in the dark.
The firefly is our emblem for good reason. It is beautiful, fragile, and only visible to those who slow down enough to notice.
That is exactly the kind of attention we hope art and community collaboration can cultivate.
Not all conservation stories begin in a laboratory or a policy document.
Some begin in a painter's studio, a musician's rehearsal room, a filmmaker's edit suite, a classroom where a child draws an animal they have never seen in person.

VISION & MISSION
Observe. Experience. Learn.
My work draws on fieldwork, teaching, and immersive design. It explores how encounters with nature, technology, and people shape understanding and behaviour.
Nature & context
Working with local communities and stakeholders to understand place and relationships.
Immersive stories
Experience interactive stories inspired by the magic of local environments and wildlife.
AR/VR experiences
Step into immersive virtual worlds and see nature in new ways.
Share insights
Sharing reflections and research through moments, media, and written work.
